Eeyore said:
Approx -100dB THD but he still reckons it's a 'problem'.
There are situations where it is an advantage for the op-amp to have more
dynamic range available than the ear. For example, sometimes more than one
op-amp is in the circuit (e.g. a mixing desk) and the cumulative distortion
will not be as good as that of a single op-amp, so it makes sense to start
with a good op-amp. Also, it is not always possible to adjust the input
signal to the amplitude that is optimal for the op-amp, and the transfer
function of the rest of the signal chain from the op-amp to the ear might
have more gain at the frequency of the distortion than at the frequency of
the wanted signal, e.g. in an active filter.
Doug Self is truly a Self-aggrandising POS.
I disagree strongly. As well as providing a wealth of rational, well
thought-out circuit designs, he has also demonstrated clearly the futility
of the misguided efforts of audiophools, and the absurdity of their most
deeply held beliefs.
Chris