C
ChairmanOfTheBored
** This criminal MORON does not even know what a performer's " radio mic"
system is.
You're a goddamned retard.
** This criminal MORON does not even know what a performer's " radio mic"
system is.
** Shame none of it is suitable for nor allowed to be used by performers.
** ROTFLMAO !!
No performance quality radio mics there at all !!
The ruggedized devices I spoke of have BETTER audio, video and data
figures than commercial crap does.
You're a goddamned retard.
Bullshit, asswipe.
They can accept ANY mic, including professional audio.
Phil said:** LOL
Dead donkeys have higher IQs than this sub human POS.
ChairmanOfTheBored said:They can accept ANY mic, including professional audio.
Grow the **** up, AlliTard.
David said:DC outlets? I've heard tell, but I've never actually seen one.
Do you know if you can you still buy DC and steam in New York?
DC is great for studios and theater because the lamps don't sing.
The problem is, there isn't much other than old resistance dimmers
that will work with DC. Have you seen it in other places?
You're a goddamned idiot, and you couldn't debate if your life depended
on it, twit.
I wouldn't work "a show you have". Your shows are shit. I have,
however made wireless mic systems that pass voice, video and data over
VARIOUS bands.
Some are used by LEOs. Some are used on carrier decks.
Do you even know what a diversity receiver is?
You're an idiot. The devices I mentioned are using a proprietary
packet model, and it utilizes QAM 256.
You're an idiot.
Thanks for proving the above assertion.
**** off, you ten years behind the curve retard.
http://www.avalonrf.com/Products/transmitters.html
We're talking early 60s and these guys were a lot older than I was,Camel said:Your engineers cut the grounds off the plugs ?????
Glad i don't work with those engineers!!
A proper design will factor in the use of current as well as older
style equiptment (which would include the recomended plug style)
Current equiptment requires the upgrade of all lines & such and
therefore - in this world of 3-prong plugs - design has changed.
I can only hope that your engineers have stopped cutting the saftey
factor from your equiptment.
Thanks Scott. I wonder who the 5 remaining customers were.Scott Dorsey said:Coincidentally, I just saw the following web citation:
http://www.nypost.com/seven/09052007/news/regionalnews/con_ed_to_ko_its_dc.htm
In rec.audio.pro Joseph Ashwood said:For the most paranoid, see all those cables? They contain electricity.
It is the volts that hurt, but the amps that kill. A phantom powered
microphone should not have much in the way of amperage, worst case, go
wireless they simply don't have the power to begin with. the real concern
really is every amplifier, every speaker, every speaker cable, it only takes
half an amp to kill a human,
For what it's worth, In Europe, a ground fault protection device *must*It takes a lot less than that - .05A across the heart can kill you,
and .1A across the heart will most likely cause destructive ventricular
fibrillation.
For what it's worth, In Europe, a ground fault protection device *must* trigger at no more than 30
milliamps after no more than 30 milliseconds.
There are`also rules about regular testing of fixed installations, & for testing temporary
installations before first use.
Michael A. Terrell said:Scott, I still pull green wire with EMT.
Scott Dorsey said:I got one word for you: NEMA Twist-Locks. Available from 15A on up.
They make the Europlug look cheap and flimsy!
--scott
Wow, what horrible bits of kit those are.