It's been awhile since I have had teenagers in my house, but at one time four of them were practicing as a rock band in my garage. There were a lot of strange effects boxes out there, but I don't remember the details, just the fact that they were LOUD! I think some of the effects pedals were "stab" pedals that somehow switched from one effect to another each time the pedal was pressed (or stabbed). This was probably a mechanical arrangement of the pedal switch, but I don't know for sure. Such an action could certainly be implemented electronically with reed relays, but it would require some tinkering.
If you want to replace a single SP3T guitar pedal "stab" switch with reed relay switches, you may want to have just two SPST pedal switches, a left pedal and a right pedal, to operate the reed relays. If no pedal switch is pressed you get normal guitar feed to channel A. Press the left pedal to energize relay 1 and the guitar feeds to effects channel B or C, depending on whether the right pedal is pressed or not. Press the right pedal to energize relay 2 and the guitar feeds to effects channel C, provided the left pedal is still pressed.
You can purchase alternating-action push-button switches for one or both pedals, so pressing and releasing the left pedal causes it to remain closed, enabling the player to choose effects channel B or C with the right pedal. Pressing and releasing the left pedal again would restore normal feed to channel A without effects. Using an alternating-action switch for the right pedal would allow the player to "pre-select" which effects channel (B or C) would be active when the left pedal was pressed.
It is difficult to achieve a reliable alternating-action switch with simple reed relays. It requires a "memory" circuit to store the current state of the switch and a reliable way to "reset" the "memory" when the switch is actuated again. A trivial problem to implement mechanically, but not so much electronically with the good reliability necessary for a performance environment. No musician I know of wants to have to farkle around with controls and pedals trying to obtain the "effect" they need prior to fingering a complicated riff.
So, what exactly are you trying to do? There may be some experienced guitar players here in the forum who can help. (I am not an experienced guitar player.)