The red and blue tape was even less fun than the black crepy stuff. We
usually sent the whole artwork out to the PCB manufacturer and let
them worry about the photography. I don't recall an original ever
getting lost.
It was pretty fast for low density single-sided boards, especially if
the donuts were on 0.1" grid (which most of them were in those days).
Unless you ran out of the 0.060" tape or the 0.030" tape, or the 0.14"
donuts..
Best regards,
Spehro Pefhany
Nobody I knew liked the color stuff. We did 4 pieces of pin-aligned
clear mylar: padmaster, top traces, bottom traces, and silkscreen;
occasionally we did a 4-layer, with the plane art cut out of rubylith.
Lorry Ray would sandwich layers to shoot the film, and would do tricky
stuff to make ground planes and solder masks from the padmaster art...
they could expand, contract, and, or, all sorts of stuff
photographically.
We'd make assembly and fab drawings by exposing the mylars directly
onto sepia paper. By playing with layer exposure times, you could make
cool faded-layer composites, even burn the title blocks in while you
were at it.
John