M
Mac
What is the best way to handle analog switching for line-level
high-fidelity audio? I don't think I want to use mechanical switching
because nice switches seem kind of pricey, and I might want to use a
remote control in a future revision.
So, I guess I am looking for a good analog mux or switch which won't
introduce distortion. For example, I looked at the SNL74LVC2G53, but it
seems as though it would add too much distortion for a hi-fi application.
Can I just use an N-channel MOSFET with the gate pulled to +/- 15
Volts for on and off, respectively? Any particular part recommendations?
I think I remember Win recommending using two MOSFET's in series, but I
think the idea was to float the gates at vs + 15V somehow. I don't want to
do anything that tricky if I can avoid it. ;-)
Oh, I am planning on having +/- 15 volt rails for the analog circuitry,
and I guess I'll need some 5 Volts for the digital circuitry. I'd like to
keep the 5 Volts to, say, under 10mA, if possible.
--Mac
high-fidelity audio? I don't think I want to use mechanical switching
because nice switches seem kind of pricey, and I might want to use a
remote control in a future revision.
So, I guess I am looking for a good analog mux or switch which won't
introduce distortion. For example, I looked at the SNL74LVC2G53, but it
seems as though it would add too much distortion for a hi-fi application.
Can I just use an N-channel MOSFET with the gate pulled to +/- 15
Volts for on and off, respectively? Any particular part recommendations?
I think I remember Win recommending using two MOSFET's in series, but I
think the idea was to float the gates at vs + 15V somehow. I don't want to
do anything that tricky if I can avoid it. ;-)
Oh, I am planning on having +/- 15 volt rails for the analog circuitry,
and I guess I'll need some 5 Volts for the digital circuitry. I'd like to
keep the 5 Volts to, say, under 10mA, if possible.
--Mac